WILLIAM GOLDING (1911-1993)
HISTORY:
ECONOMY AND SOCIETY:
IDEOLOGY AND CULTURE:
Modernism | Post-modernism |
Poetry Rejection of diction, as it is considered unsuitable for an era of technological breakthroughs and global violence; Break with Romantic ideas (the notion of sublime); Poetry becomes sceptical of language and its notion of coherence; Disrupted syntax; Free verse; Focus on images and symbols; Prose: Non-chronological; Experiments with time representation and perception: literary devices ̶ temporal juxtapositions, sudden jumps; Focus on the inner world of the character: literary devices ̶ stream of consciousness, memory, perception; The plot is replaced by specific modernist patterns: time, place, character, leitmotifs, symbols, mythic patterns, and cinematic devices (space and time montage); Theme: atemporal, eternal conflicts of the soul, philosophy; Range: limited, presented subjectively. Life is chaotic, disordered, fragmentary; Narration: subjective, limited point of view or combination of points of view; Structure: open form. | Pragmatic; Eludes definition; Eclectic flexibility; Playfulness; Irony; Parody; Experimental; Challenge of authority; Simple language and complex structure; The boundaries of art are ignored; The intertextual technique (brings together a variety of literary styles from the past and present); Freedom to express views that are different from the norm; Literary genres become mixed. |
THE AUTHOR AND HIS WORK
Born in Cornwall;
Grew up before World War II and had an idealised view of mankind;
Served as the captain of a British rocket-launching craft in the North Atlantic;
Worked as a teacher;
Was awarded the Nobel Prize for literature in 1983.
Novels: